She is out of control, and somehow, through that freedom, she remains in equilibrium with reality.
Thoughts dance.
She
is raunchy and stark. She
seduces anyone who would dare to look into her. She fiends for perceptual pleasure. She
seeks the suspended orgasm of thought and idea. And that is high. She runs in all directions at the same time. She
has the skin of a chameleon, the teeth of a sabre, and the feet of a dusty
footed philosopher.
She is dumb and pure like an infants first breath into sunlight. She is a priest, an imam, a rabbi, and
a shaman. She has no home, for her only residence
is within her own soul. She
is light.
She
has not been created vicariously, in any particular image and likeness; rather,
she is constantly shifting into the image and likeness of independent thought. She stands alone on the stage. Her
layers peel away, entrancing her voyeurs. She is conceptual by nature, and that is
what makes her such a dangerous creature. She
is wonder. She
is anything her creator has internalized as valuable. She is never static, for new eyes change her existence.
I see her standing there, at the crossroads of immaturity and enlightenment. I am her creator; her voice is my voice. I am her origin. I lift up the glossy photograph and stare at it blankly. Is it just a piece of paper without my omniscient presence? And I begin to weep over the probability of her awesome meaninglessness.
I see her standing there, at the crossroads of immaturity and enlightenment. I am her creator; her voice is my voice. I am her origin. I lift up the glossy photograph and stare at it blankly. Is it just a piece of paper without my omniscient presence? And I begin to weep over the probability of her awesome meaninglessness.